Apidya

Apidya
Cover art of Apidya
Developer(s)	Kaiko
Publisher(s)	Play Byte Team17
Designer(s)	Peter Thierolf
Artist(s)	Frank Matzke
Composer(s)	Chris Hülsbeck
Platforms	Amiga
Release date(s)	1992
Genre(s)	Shoot 'em up
Mode(s)	Single-player Two-player (cooperative) Two-player (alternating)

Apidya (titled Abidja (アビヂャ) in Japanese characters below the title) is a horizontally scrolling shoot 'em up video game developed by Kaiko and released by Play Byte in 1992 for the Amiga. It was Kaiko's second game developed. Despite being labelled II in the title it is not a sequel to any game, but placed there simply for a gag.

Plot

The story revolves around Ikuro, whose wife Yuri has been poisoned by Hexaae, an evil lord of black magic. Ikuro uses magic to transform into a deadly bee and vows to find an antidote for Yuri and reek revenge on Hexaae.

Gameplay

The game is a horizontally scrolling shooter, with some elements similar to early, classic shoot 'em ups. The player controls a bee capable of launching a number of projectiles which can damage or destroy enemy targets. The game uses the power-up bar system pioneered by Gradius. Destroyed enemies sometimes leave a power-up in the form of a red-and-yellow flower. The player may collect these flowers and activate new weapons and enhancements. A 'build-up' weapon, similar to the 'beam' weapon in R-Type, also features. If the fire button is held down for a second or two, the bee produces a hissing noise and releasing the fire button will then cause the bee to fire a large, organic projectile which can wipe out waves of small enemies, or damage larger ones. If the player's bee is hit by enemy fire or crashes into the terrain, a life may be lost and the current stage is restarted. Once all lives are lost the game ends. A co-operative two-player mode is possible, in which the second player controls a smaller companion drone, which can launch small projectiles and shield the first player. An alternating two player mode is also possible.

The game consists of five themed levels: a meadow, a pond, a sewer filled with mutated enemies, a bio-technological machine and a final level where the player must battle five final bosses. Each level is divided up into a number of stages (usually three). There are also a number of hidden bonus levels. In the first two levels, nearly all the enemies are real creatures which may be found in a meadow or pond. The later levels feature mutant and inorganic creations. During "Techno Party", the bee morphs into a more mechanized form for the duration of that level. There are four difficultly settings. When the difficulty is set to "easy", it is not possible to play the last level, the ending sequence is skipped and the player is directed straight to the end credits.

Music

The musical soundtrack to the game was composed by game musician Chris Hülsbeck. A high-quality arrangement of the soundtrack was released as a CD album in 1992. The soundtrack of level 4 features several samples from L.A. Style's James Brown Is Dead.

There have also been live performances of the game's music:

• An Apidya suite was performed live by a full symphonic orchestra in 2003 at the Symphonic Game Music Concert-series in Leipzig, Germany.
• Music from Apidya was part of the 2006 PLAY! A Video Game Symphony concert in Stockholm, Sweden.
• Music from Apidya (as well as many of Hülsbeck's other works) was played by a symphonic orchestra at the Symphonic Shades concert in 2008.

Reception

The game was largely praised as a fine example of the shoot 'em up genre. Amiga Power magazine described the game as offering "more playability than any other shoot 'em up" and awarded the game 89% in 1992. Amiga Format magazine awarded the game 90%.

Legacy

An unofficial GBA Apidya technical demo followed years later and an unofficial Windows remake of the first level was released in 2002 but neither was ever completed.