Traveling Husbands
| Traveling Husbands | |
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| File:TravelingHusbands.1931.jpg
Theatrical poster for the film
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| Directed by | Paul Sloane Charles Kerr (assistant) |
| Produced by | William LeBaron |
| Written by | Humphrey Pearson |
| Starring | Evelyn Brent |
| Music by | Max Steiner |
| Cinematography | Leo Tover |
| Edited by | Archie Marshek |
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Production
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Release dates
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Running time
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73 minutes |
| Country | United States |
| Language | English |
Traveling Husbands is a 1931 American Pre-Code drama film directed by Paul Sloane based on a screenplay by Humphrey Pearson. The film stars Constance Cummings, Frank Albertson, Evelyn Brent, Dorothy Peterson and Hugh Herbert. Hugh Herbert's brother, Tom, made his screen debut with a small role in this film, billed as Tom Francis. Produced and distributed by RKO Radio Pictures, the film premiered in New York City on August 7, 1931, and was released nationwide the following week on August 15. It received mixed reviews from the critics.
Plot
While waiting to see the owner of the store who is potentially a new big client, Barry Greene, a traveling salesman, practices his sales pitch on Ellen Wilson. Unbeknownst to Barry, Ellen is the daughter of his potential client, J.C. Wilson. Her father, obsessed with business, has neglected his daughter. When she goes in to speak with her father, his usual lack of interest in her life causes her to decide to teach him a lesson by living a wild life. Angered by his daughter, when J.C. meets with Barry, he has no desire to listen to the salesman, and has him thrown out of the building. On his way out, Ellen offers him a ride to his hotel. En route, the two make a date for dinner that night.
Back at the hotel, Barry's compatriots, all "traveling husbands" (married traveling salesmen), are enjoying a party with several call girls. One of the prostitutes, Ruby Smith, has fallen in love with one of the salesmen, Ben Hall. Barry has no interest in joining the party, despondent over his failure with J.C. This is exacerbated when Barry learns that his expense account has been put on hold until he can prove himself. Not being able to afford his dinner with Ellen, he calls her up and cancels their dinner date. Disappointed that her dinner has been canceled, Ellen is determined to have a good time that evening, and decides to go to the hotel for dinner by herself. When Ellen shows up at the hotel she attracts Ben's attention, who joins her for dinner. After dinner, in an attempt to awe her, Ben takes Ellen on a whirlwind tour of Detroit nightspots.
When they arrive back at the hotel, Ben takes Ellen back to his room. When he attempts to force his attentions on her, her cries arouse several people, one of whom is Barry. When Barry bursts into Ben's room, an altercation occurs. In the dark, a gunshot is heard, and when the lights come on, Ben lies on the floor, shot. In the ensuing investigation, it is uncovered that Ruby shot Ben in a jealous fit of rage. Martha, Ben's wife, has arrived and reconciles with her husband. J.C. has also arrived, and realizes how he has ignored his daughter. He, Ellen and Barry leave the hotel together.
Cast
- Evelyn Brent as Ruby Smith
- Frank Albertson as Barry Greene
- Constance Cummings as Ellen Wilson
- Hugh Herbert as Hymie Schwartz
- Dorothy Peterson as Martha Hall
- Gwen Lee as Mabel
- Frank McHugh as Pinkie
- Carl Miller as Ben Hall
- Stanley Fields as Dan Murphy
- Rita La Roy as Daisy
- Lucille Williams as Vera
- Purnell Pratt as J. C. Wilson
- Spencer Charters as Joe
- Tom Herbert as Walter (as Tom Francis)
Critical reception
The film received mixed reviews from the critics. The Daily Mirror called it "entertaining", and said it was a "... serious melodrama, though it is deftly spiked with comedy". The Daily News labeled it "fantastic", although they did complain that the plot was mediocre. The Herald Tribune said the film "... moved smoothly and with considerable vigor and despite its faults, it is lively and engaging". The Sun, however, did not care for the film, calling it "melodrama at its worst." The World-Telegram also gave it a less than kind endorsement, saying that while the film "... flashed a few moments of amusement", those moments were so few and far between 'for comfort'".[2]
Photoplay complimented the acting, calling it "top notch", saying that the film was "risqué, but not objectionably so".[3] Silver Screen merely rated the film, "fair".[4]
