The Fisher King
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The Fisher King | |
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File:The Fisher King Poster.jpg
Theatrical release poster
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Directed by | Terry Gilliam |
Produced by | Debra Hill Lynda Obst |
Written by | Richard LaGravenese |
Starring | Robin Williams Jeff Bridges Amanda Plummer Mercedes Ruehl |
Music by | George Fenton |
Cinematography | Roger Pratt |
Edited by | Lesley Walker |
Production
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Hill/Obst Productions
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Distributed by | Tri-Star Pictures |
Release dates
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Running time
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137 minutes |
Country | United States |
Language | English |
Budget | $24 million |
Box office | $41.9 million |
The Fisher King is a 1991 American comedy-drama film written by Richard LaGravenese and directed by Terry Gilliam. It stars Robin Williams and Jeff Bridges, with Mercedes Ruehl, Amanda Plummer, and Michael Jeter in supporting roles. The film is about a radio shock jock who tries to find redemption by helping a man whose life he inadvertently shattered.
Contents
Plot
Jack Lucas (Bridges), a selfish, misanthropic shock jock, becomes suicidally despondent after his insensitive on-air comments inadvertently prompt an unstable caller to commit a mass murder-suicide at a popular Manhattan restaurant. Three years later, Jack is working with his girlfriend Anne (Ruehl) in a video store in a mostly drunken, depressed state. One night while on a bender, he attempts suicide. Before he can do so, he is mistaken for a homeless person and is attacked and nearly set on fire by thugs. He is rescued by Parry (Williams), a deluded homeless man who is on a mission to find the Holy Grail, and tries to convince Jack to help him. Jack is initially reluctant, but comes to feel responsible for Parry when he learns that the man's condition is a result of witnessing his wife's horrific murder at the hands of Jack's psychotic caller. Parry is also continually haunted by a hallucinatory red knight, who terrifies him.
Jack learns that Parry's real name is Henry Sagan and he was a teacher at Hunter College. Following his wife's death, Henry slipped into a catatonic state. When he emerged he took on the persona of Parry and became obsessed with the legend of the Fisher King.[note 1] Jack seeks to redeem himself by helping Parry find love again. He sets Parry up with Lydia (Plummer), a shy woman with whom Parry is smitten and who works as an accountant for a Manhattan publishing house. Jack and Anne then join them for a dinner date. Following dinner, Parry declares his love for Lydia but is once again haunted by the Red Knight. As he flees his hallucinatory tormentor, he is attacked by the same thugs who had earlier attacked Jack, which causes Parry to become catatonic again. Jack breaks up with Anne and begins to rebuild his career, but has a crisis of conscience during a sitcom pitch after snubbing a vagrant (Jeter) who had previously done him a favor.
Wearing Parry's clothing, Jack infiltrates the Upper East Side castle of a famous architect and retrieves the "Grail", a simple trophy which Parry believed to be the real Grail. When he brings it to Parry, the catatonia is broken and Parry regains consciousness. Jack learns that he inadvertently thwarted the famous architect's suicide attempt by triggering the alarm when leaving the Upper East Side castle. Lydia comes to visit Parry as usual in the hospital. She finds that Parry is awake and hears him and Jack leading the patients of the mental ward in a rousing rendition of "How About You?". Parry and Lydia embrace. Afterwards Jack goes back to the video store and tells Anne that he loves her. She slaps him and then grabs him and kisses him. The film ends with Jack and Parry lying naked in Central Park looking at the clouds.
Cast
- Robin Williams as Parry/Professor Henry Sagan
- Jeff Bridges as Jack Lucas
- Mercedes Ruehl as Anne Napolitano
- Amanda Plummer as Lydia Sinclair
- Michael Jeter as Homeless Cabaret Singer
- David Hyde Pierce as Lou Rosen (credited as David Pierce)
- Lara Harris as Sondra
- Harry Shearer as Ben Starr
- Kathy Najimy as Crazed Video Customer
- John de Lancie as TV Executive
- Tom Waits as Disabled Veteran (uncredited)
Production
During an appearance on The Directors (which is available on the 2-Disc DVD for Gilliam's film Time Bandits), Gilliam said he wanted to do the film because he was tired of doing big budget special effects films, such as his previous film The Adventures of Baron Munchausen, which went over budget and cost over $45 million, nearly twice as much as King's budget of $24 million. This was the first film Gilliam directed in which he was not involved in writing the screenplay, as well as his first film not to feature any other members of Monty Python. It is Gilliam's second film involving the Holy Grail, the first being Monty Python and the Holy Grail.
Also, according to the Directors episode, Gilliam came up with the scene where Robin Williams and Amanda Plummer meet during a huge waltz in the middle of Grand Central Terminal, because he felt the scene LaGravenese had written (which had a large group of people in a crowded subway listen to a homeless woman sing with a beautiful voice that fills the room) wasn't working. He was at first hesitant about this because his original intentions were to just shoot the script, and that the waltz would make it "a Terry Gilliam film". The scene was shot in one night with a mix of professional extras and passengers getting off the train.
Reception
Lua error in package.lua at line 80: module 'strict' not found. The Fisher King received critical acclaim, earning an 83% approval rating on Rotten Tomatoes, based on 54 reviews, with an average rating of 7.10. The site's critical consensus reads, "An odd but affecting mixture of drama, comedy and fantasy, The Fisher King manages to balance moving performances from Robin Williams and Jeff Bridges with director Terry Gilliam's typically askew universe."[1] The film also holds a score of 61 out of 100 on Metacritic, based on 9 critics, indicating "generally favorable reviews."[2] Peter Travers of Rolling Stone wrote that the film "sweeps you up on waves of humor, heartbreak and ravishing romance."
The film did moderately well at the box office,[3][4] with revenue of approximately $42 million.[5]
Home media releases
The film was released on VHS and Laserdisc by Columbia-TriStar Home Video in 1992. The 1st Laserdisc release was a full-screen pan and scan transfer only, but showed more vertical information while losing horizontal info. The 2nd release in the 1997 Widescreen Collection presents it in its theatrical ratio of 1.85:1, in which the same master was used for the 1998 DVD release. The Criterion Collection released their Laserdisc version in 1993 with several extras that have not surfaced on any other release, and a director approved widescreen transfer in 1.66:1 (presumably the ratio it was shot in).
The film was released in 1998 on DVD by Columbia-TriStar Home Video, and its transfer was essentially a port of the previous 1997 laserdisc with no extra features aside from the theatrical trailer. This release is one of the oldest DVD titles to still remain in print as of 2014. In 2011, Image Entertainment (under license from Sony Pictures Home Entertainment) released a Blu-ray utilizing a new HD master in the theatrical ratio of 1.85:1, with Dolby Digital Tru-HD 5.1 surround (all other releases were in 2.0 surround). This release is essentially bare bones, and does not have the trailer like the previous DVD release had.
On June 23, 2015, The Criterion Collection re-released the film on Blu-ray and DVD.
Awards
Mercedes Ruehl won the Academy Award for Best Supporting Actress for her role, and Robin Williams was nominated for Best Actor. The other Academy Award nominations were Best Art Direction-Set Decoration (Mel Bourne, Cindy Carr), Best Music, Original Score (George Fenton) and Best Writing, Screenplay Written Directly for the Screen (Richard LaGravenese).[6]
Ruehl also won the Academy of Science Fiction, Fantasy and Horror Films Award for Best Supporting Actress, the American Comedy Award for Funniest Supporting Actress in a Motion Picture, the Boston Society of Film Critics Award for Best Supporting Actress, the Los Angeles Film Critics Association Award for Best Supporting Actress and a Golden Globe for Best Supporting Actress.
Williams won a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy.
Bridges was nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy and was also nominated for Saturn Award for Best Actor.
Terry Gilliam won the People's Choice Award from the Toronto International Film Festival and the Silver Lion in the Venice Film Festival (the latter tied with Zhang Yimou and Philippe Garrel).
Jane Jenkins and Janet Hirshenson won an Artios Award from the Casting Society of America for Best Casting in a Feature Film (Comedy).
At the 27th Guldbagge Awards in Sweden, the film was nominated for the Best Foreign Film.[7]
See also
Note
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References
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External links
Wikiquote has quotations related to: The Fisher King (film) |
- Lua error in Module:WikidataCheck at line 28: attempt to index field 'wikibase' (a nil value). The Fisher King at IMDb
- The Fisher King at Box Office Mojo
- The Fisher King at Rotten Tomatoes
- The Fisher King at Metacritic
- Dreams: The Fisher King
- Criterion Collection essay by Bilge Ibiri
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- Pages with reference errors
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- 1991 films
- English-language films
- Articles using small message boxes
- 1990s comedy-drama films
- 1990s fantasy films
- American comedy-drama films
- American fantasy-comedy films
- American films
- Arthurian films
- Film scores by George Fenton
- Films about atonement
- Films about radio people
- Films directed by Terry Gilliam
- Films featuring a Best Musical or Comedy Actor Golden Globe winning performance
- Films featuring a Best Supporting Actress Academy Award winning performance
- Films featuring a Best Supporting Actress Golden Globe winning performance
- Films set in New York City
- Homelessness in popular culture
- Posttraumatic stress disorder in fiction
- TriStar Pictures films
- Works based on the Holy Grail legend
- Films about psychiatry
- Mental illness in fiction
- Schizophrenia
- Fictional portrayals of schizophrenia