The Enigma of Kaspar Hauser
The Enigma of Kaspar Hauser | |
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Directed by | Werner Herzog |
Produced by | Werner Herzog |
Written by | Werner Herzog |
Starring | Bruno Schleinstein Walter Ladengast |
Music by | Florian Fricke |
Cinematography | Jörg Schmidt-Reitwein |
Edited by | Beate Mainka-Jellinghaus |
Production
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Distributed by | Werner Herzog Filmproduktion |
Release dates
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Running time
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110 minutes |
Country | West Germany |
Language | German English |
The Enigma of Kaspar Hauser (German: Jeder für sich und Gott gegen alle; lit. Every Man for Himself and God Against All) is a 1974 German drama film written and directed by Werner Herzog and starring Bruno Schleinstein and Walter Ladengast.[1] The film follows the real story of foundling Kaspar Hauser quite closely, using the text of actual letters found with Hauser.
Contents
Plot
The film follows Kaspar Hauser (Bruno Schleinstein), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man, wearing a black overcoat and top hat, who feeds him.
One day, in 1828, the same man takes Hauser out of his cell, teaches him a few phrases, and how to walk, before leaving him in the town of Nuremberg. Hauser becomes the subject of much curiosity, and is exhibited in a circus before being rescued by Herr Daumer (Walter Ladengast), who patiently attempts to transform him.
Hauser soon learns to read and write, and develops unorthodox approaches to logic and religion; but music is what pleases him most. He attracts the attention of academics, clergy and nobility, but is then physically attacked by the same unknown man who brought him to Nuremberg. The attack leaves him unconscious with a bleeding head. He recovers, but is again mysteriously attacked; this time, stabbed in the chest.
Hauser rests in bed describing visions he has had of nomadic Berbers in the Sahara Desert, and then dies. An autopsy reveals an enlarged liver and cerebellum.
Cast
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- Bruno Schleinstein as Kaspar Hauser
- Walter Ladengast as Professor Daumer
- Brigitte Mira as Kathe, Servant
- Reinhard Hauff as Farmer
- Herbert Fritsch as Mayor
- Florian Fricke as M. Florian
- Henry van Lyck as Calvary Captain
- Willy Semmelrogge as Circus Director
- Michael Kroecher as Lord Stanhope
- Hans Musäus as unknown man
- Marcus Weller as Julius, son of Hiltel[2]
- Gloria Doer as Frau Hiltel
- Volker Prechtel as Hiltel the prison guard
- Herbert Achternbusch as Bavarian Chicken Hypnotizer
- Wolfgang Bauer as farmboy[2]
- Wilhelm Bayer as taunting farmboy
- Franz Brumbach as bear trainer[2]
- Johannes Buzalski as Police Officer
- Helmut Döring as Little King
- Enno Patalas as Pastor Fuhrmann
- Clemens Scheitz as Registrar
- de as Logic Professor
- Andi Gottwald as Young Mozart
- Kidlat Tahimik as Hombrecito[3]
Production
Writing
Herzog has been quoted as saying that the title (German: Jeder für sich und Gott gegen alle) for the film was inspired by a sentence in the novel Macunaíma by Brazilian writer Mário de Andrade.[4]
The film follows the real story of Kaspar Hauser quite closely, using the text of actual letters found with Hauser, and following many details in the opening sequence of Hauser's confinement and release. One notable departure is with his apparent age: although the historical Hauser was 17 when he was discovered in Nuremberg and the film implies this, the character is played by actor Bruno Schleinstein, who was 41 years old at the time of filming. Nevertheless, Schleinstein's character is treated and described throughout as a youth.
Casting
Herzog discovered the lead actor, Bruno Schleinstein, in a documentary about street musicians. Fascinated, Herzog cast him as the lead in two of his films, The Enigma of Kaspar Hauser and Stroszek, despite the fact that he had no training as an actor. Schleinstein's own life bears some similarities to Kaspar Hauser's, and his own unbalanced personality was often expressed on set. In Herzog's commentary for the English language DVD release, he recalls that Schleinstein remained in costume for the entire duration of the production, even after shooting was done for the day. Herzog once visited him in his hotel room, to find him sleeping on the floor by the door, in his costume.
The Production Designer for the film was Henning Von Gierke, the Costume Designers were Ann Poppel and Gisela Storch.[1]
Filming locations
The outdoor scenes were filmed in the town of Dinkelsbühl and on a nearby mountain called Hesselberg.
- Croagh Patrick, Westport, Mayo, Ireland (archive footage)
- Dinkelsbühl, Bavaria, Germany
- Western Sahara
Music soundtrack
The music of several classical composers is featured in the film's soundtrack, including pieces by Johann Pachelbel, Orlande de Lassus, Tomaso Albinoni, and Wolfgang Amadeus Mozart.
Awards and reception
The film was invited for the 1975 Cannes Film Festival. It won the Grand Prize of the Jury, which is the third prize for films "in competition" at the festival. In addition, it won the FIPRESCI Prize and the Prize of the Ecumenical Jury.[5][6] The film won two German Film Awards: to Beate Mainka-Jellinghaus for editing, and to Henning von Gierke for scene design. Werner Herzog won the second prize (Filmband in Silber) in the category "Feature Film Direction" (programmfüllender Spielfilm (Gestaltung)), which came with a substantial cash prize.[7] The film was selected as the German entry for the Best Foreign Language Film at the 48th Academy Awards, but was not accepted as a nomination.[8]
In 2005, critic Walter Chaw summed up the film as "a strange, brave performance housed in an anti-linear film stuffed with obscure images and silent passages of profound, frightening insight", adding "That the director identifies so deeply with a foundling in 19th century Germany who appeared in the middle of a town square having spent his whole life chained to a floor in a basement dungeon speaks volumes to Herzog's feeling of detachment in intellectual, artistic, and social environments."[9] In 2007, the critic Roger Ebert wrote a retrospective review of the film, which he had included in his list of "Great Movies", saying "In Herzog the line between fact and fiction is a shifting one. He cares not for accuracy but for effect, for a transcendent ecstasy."[10]
Writing in 2001, Maria Racheva said ".. Herzog, the director, unlike François Truffaut in The Wild Child, is not interested in showing the painful process of adaptation to civilized surroundings; Kaspar has a special consciousness in which the laws of nature have a central place and in which the conventions and norms of civilized behavior are as artificial and inconvenient to him as the black dinner jacket he is forced to wear. His difficulties in communication are not the result of any linguistic inadequacies; simply, he is "different" from other men. That is why Herzog seems to wish to persuade us that, despite being gratuitous, both the early isolation and the surprising death of his hero are somehow logical. ... This summary of plot sounds like a fairy tale—and it is. Most of Herzog's films recall fables, and that is surely one of the reasons for their success."[2]
Home media
The film was released to region 1 DVD in 2002.[11] The film is included in a Blu-ray (region-A) collection of Herzog's films that was published in the US in 2014.[12] It was also included in a region-B collection published in the United Kingdom in 2014.[13] It had been released in 1993 as a VHS tape with the English language title The Mystery of Kaspar Hauser.[14]
See also
- Feral child
- New German Cinema
- List of submissions to the 48th Academy Awards for Best Foreign Language Film
- List of German submissions for the Academy Award for Best Foreign Language Film
References
- Notes
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Further reading
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External links
- Lua error in Module:WikidataCheck at line 28: attempt to index field 'wikibase' (a nil value). The Enigma of Kaspar Hauser at IMDb
- The Enigma of Kaspar Hauser at AllMovie
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- ↑ Golden Palm Awards for 1975 at imdb.com
- ↑ Lua error in package.lua at line 80: module 'strict' not found. The cash prize for programmfüllender Spielfilm (Gestaltung) was 150,000 German marks.
- ↑ Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
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- Pages with reference errors
- Pages with broken file links
- 1974 films
- Articles containing German-language text
- Interlanguage link template link number
- 1970s biographical films
- 1970s drama films
- 1970s historical films
- West German films
- German drama films
- German historical films
- German biographical films
- German-language films
- Films directed by Werner Herzog
- Films set in Germany
- Films set in the 1820s
- Films set in the 1830s