Stonekeep
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| Stonekeep | |
|---|---|
| File:Stonekeep box.jpg | |
| Developer(s) | Interplay Entertainment |
| Publisher(s) | Interplay Entertainment |
| Director(s) | Michael Quarles |
| Producer(s) | Michael Quarles Brian Fargo |
| Designer(s) | Peter Oliphant Christopher Taylor Spencer Kipe |
| Artist(s) | Spencer Kipe Leonard Boyarsky |
| Writer(s) | Peter Oliphant Christopher Taylor Scott La Rocca |
| Composer(s) | Brian Luzietti Richard Band |
| Platforms | MS-DOS, Windows |
| Release date(s) | Windows 95 |
| Genre(s) | Role-playing video game |
| Mode(s) | Single player |
Stonekeep is a role-playing video game developed and released by Interplay Entertainment for the PC in 1995. It is a first-person dungeon crawler game with pre-rendered environments, digitized characters and live-action cinematic sequences. Repeatedly delayed, the game that was supposed to be finished in nine months eventually took five years to make, the record longest development of a video game at the time. The game featured the voice of Arthur Burghardt - well known as the character Destro in the G.I. Joe 1985 cartoon series - in the role of an evil god named Khull-Khuum.
Contents
Gameplay
Stonekeep is a first-person RPG in the style of Eye of the Beholder and Dungeon Master. The game is set in a series of underground labyrinths, filled with monsters, treasures and traps. The player uses the directional keys on the keyboard for movement and typing in notes in the journal and uses the mouse pointer to interact with objects and characters. The mouse pointer is usually a target indicator for aiming attacks and weapons wherever it is clicked. When the mouse pointer is moved onto a particular something it changes to another icon to indicate a different action. For example, the mouse pointer changes to an eye when the player can examine things (often signs) or the mouse pointer changes into a spread-out hand when the player can pick up items. Other mouse pointers include opening and closing chests, opening and closing panels, pulling levers and switches, pressing buttons, drinking water and giving items
The protagonist Drake has two starting possessions: the magic scroll and the magic mirror. The magic scroll allows the player to pick up an infinite number of items. Items of the same type can be combined together up to a maximum quantity of 99; other items can be combined together such as a quiver which can hold 99 arrows. The magic mirror allows the player to equip Drake and other characters with weapons, armour and accessories and to consume items to affect their status such as healing potions or bad smelling Throg food otherwise Drake can read scrolls used on him. Although Drake can wield any weapon, other characters like Farli and Karzak can only wield hammers, axes and shields. Certain weapons like polearms and heavy swords require Drake to have two free hands to wield one. Some armour can be worn by certain characters. For instance only dwarves can wear dwarven platemail and only Drake can wear knight armour. Exceptional characters like Sparkle and Wahooka cannot be outfitted, but can still consume items.
The third possession is the journal available once the player procures it. The journal is divided into six sections. The first section of the journal records the statistics of Drake, shows the status of his current equipped weapons and describes the characteristics of his partners. Drake statistics are strength, agility, health and his weaponry skills including polearm, sword, magick, missiles and others. The second section of the journal records any clues and hints the player may come across. The third section of the journal is used for writing notes. The fourth section of the journal records items each time the player picks up a new type. The fifth section of the journal records runes each time the player comes across a new one. Unlike the items section, the runes do not have their own respective name recorded. The sixth section of the journal records the level maps that the players journeys through. Spots on the map can be clicked and notes referring to them can be written.
Stonekeep features an elaborate 'Magick' system where four types of runes are inscribed onto a spellcaster (wand): Mannish, Fae, Throggish, and Meta. The first three runes are used for offensive, defensive and special interaction purposes. The Meta runes enhance the effectiveness of the base runes, like double power multiplies a single firebolt in two. To use a spellcaster, it must contain adequate mana and runes must inscribed onto the shaft of the spellcaster. To inscribe runes on the spellcaster, the player needs to equip the spellcaster on either one of Drake's hands, open the journal onto the Runes section, take out the spellcaster and copy the runes onto the spell slots of the spellcaster. Then the runecaster can be taken out at any time and the spell that can be used has the spell slot highlighted and launched on the indicated target point. Using the magic mirror, some spells can be aimed on the characters especially healing and quickness spells.
Plot
Stonekeep's mythology revolves around a variety of gods associated with planets of the solar system. In order, they are Helion (Mercury), Aquila (Venus), Thera (Earth), Azrael (Mars), Marif (Jupiter), Afri (Saturn), Saffrini (Uranus), Yoth-Soggoth (Neptune) the Master of Magick, and Kor-Soggoth (Pluto) the Brother to Magick. These gods were captured and imprisoned in nine orbs by the dark god Khull-Khuum 1000 years before the events of the game, during a cataclysm referred to as "The Devastation".
Stonekeep is centered on a hero, Drake. Ten years before the events of the game, Drake's home, the castle of Stonekeep, was destroyed by the insane god Khull-Khuum, the Shadowking. Drake, at this time just a boy, was saved from the castle by a mysterious figure. Returning to the ruins of Stonekeep, Drake is visited by the goddess Thera, who sends his spirit out of his body into the ruins itself to explore, find the mystical orbs containing the other gods, and reclaim the land.
Along the way, Drake makes many friends, including Farli, Karzak, and Dombur the dwarves; the great dragon Vermatrix; the elf Enigma; and the mysterious Wahooka, the King of goblins. Together, they embark on a quest of ridding the world of Khull-Khuum and his evil minions and allies.
Development
The project started out with just two people, Peter Oliphant and Michael Quarles. It was intended to last only nine months and only supposed to cost $50K. However, because the initial stages of the game looked good it exceeded nine months, lasting a total of five years. Eventually there was a production crew of over 200 people, and costing a total of $5 million. The intro sequence was the most expensive part of the production, costing nearly half a million dollars to produce, which was ten times more than the initial budget for the entire project.
The initial story line was written by Oliphant, who also designed and programmed the graphics and artificial intelligence engine for the game. The project started out being called Brian's Dungeon (named after Brian Fargo, the president of Interplay Entertainment at the time). Fargo came up with the final name, Stonekeep. The production took much longer than expected because of the rapid advancement of personal computer hardware at the time; specifically, PC CPUs advancing from 80386, to 80486, to Pentiums in the years the game was being developed. Oliphant, who originally designed the game and was lead programmer, left the game as the project passed its fourth year in development. He felt his continued presence was resulting in the constant addition of feature creep and changes (he was a contractor, and had initially only signed up for a nine-month project). After he left, the design became finalized and the product was shipped one year later. Quarles, who was an Interplay employee, stayed as the game's producer and saw it through to the end.
The initial specification for the game included that it could not require a hard drive or a mouse, run on an 80286 CPU, use 640K, and run off floppy disks. At the project's end, the game had been upgraded to requiring a mouse, a hard drive, a 386 CPU, and ran off CD-ROM. As a result, the engine had to be extensively modified throughout the production. The initial motions of the monsters in the game were captured by using a blue screen outside with the sunlight. This resulted in uneven lighting from take to take, so eventually all that work was scrapped. Later a professional studio with controlled lighting was used.
According to Oliphant,[2] when the project was taken over by Quarles, two questionable decisions were made. The game was always designed to be grid-based, where the player moved from grid to grid (in contrast to today's full freedom of motion 3D environments). Oliphant wanted the movement from center of grid to center of grid, but Quarles changed this to edge of grid to edge of grid. This resulted in the problem that turning within a grid moved the player to the other side of the grid. Much of the long production was a result of correcting this lack of symmetry. The other questionable decision was to not include Oliphant in the production of the motion graphics (Oliphant had extensive Hollywood background before becoming a game developer). One consequence was that the original combat graphics had been captured from the waist up only, as Quarles had reasoned one must be close to a monster to fight it. Peter Oliphant, upon being delivered these graphics and seeing them for the first time, pointed out that the player could back away during a fight, which would result in seeing their legs. The legs therefore had to be drawn in by hand frame-by-frame to fix this, until these graphics were scrapped for a professional green screen treatment used later on. The original skeleton in the game was an actual skeleton being worn by one of the artists, and was filmed against a green screen. Because of this there were no images/animations of the skeleton walking away from the player during game play. A few months before the game's release the skeleton was replaced with the 3D model which was used on the packaging.
About three years into the project, Oliphant suggested to Fargo that the product be delivered on CD-ROM. Fargo rejected this idea at the time, citing the failure of previous Interplay CD-ROM projects that had gone this route. Oliphant suggested this after Fargo requested him to drop his percentage of royalties by half due to the high cost of production and goods to create the product, as it was at that time to be shipped on eight floppy disks. The cost of one CD was about the cost of one floppy disk, and the possibilities for eight floppy disks having problems is much greater than a single CD, so the solution seemed obvious to Oliphant. And, in fact, six months later Fargo changed his mind and made the same decision.
Release
Stonekeep was originally released for the PC DOS and Windows 95 in 1995, packaged in an elaborate gravestone-style illustrated box and came with a white hardback novella Thera Awakening, coauthored by Steve Jackson and David L. Pulver (all rights of the novel went to Interplay). The CD-ROM also included a file called "muffins.txt" which contained a recipe for "Tim Cain's Chocolate Chip Pumpkin Muffins". Years later, Stonekeep was later made available for purchase through GOG.com's digital distribution system for Windows XP and Windows Vista.[1]
Reception
Maximum praised the game's "atmospheric 3D rendered world" and sound effects, but criticized the lack of challenging puzzles, low amount of gore, and "sluggish" combat. They gave it 3 out of 5 stars.[3] In June 1996, Computer Gaming World named Stonekeep as the role-playing game reader's choice winner in its Game of the Year awards.[4] In 2000, The Adrenaline Vault stated it is "the best game of 1995 in its genre and is still an awesome game to play. You’re guaranteed to spend hours upon hours on this game and never tire of its thrill!"[5] A 1996 review by Bernard Yee of GameSpot did not offer similar praises, concluding that "Stonekeep is a dated first-person RPG that suffers from a poor interface, little depth, and few frills."[6]
In 1996, editors of Computer Gaming World ranked it as the tenth top vaporware title in computer game history (due 1991, delivered 1996), stating that "after seeing the same basic demo for years, the game finally shipped, as an anti-climax."[7] Stonekeep was also ranked at number six on GameSpot's top ten vaporware hall of shame.[8] In 2009, GamesRadar also included Stonekeep among the games "with untapped franchise potential" due to the cancelation of Stonekeep 2: Godmaker.[9]
Legacy
The Oath of Stonekeep, a novel set in the world of Stonekeep, was written by Troy Denning and published 1999 by Berkley Boulevard Books.[10]
Interplay's Black Isle Studios worked on a sequel, Stonekeep 2: Godmaker,[11] for roughly five years, before eventually cancelling it in 2001 in order to work on Icewind Dale II and Baldur's Gate III: The Black Hound.
The game, alongside a novelization, would remain the only entry in its series until the 2010 announcement of Stonekeep: Bones of the Ancients, a game developed for Interplay by Alpine Studios. It is not a sequel to Stonekeep, but rather an all new game and a standalone entry in the franchise.[12] Bones of the Ancients was released in 2012 as downloadable content at WiiWare.
References
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- ↑ 123 games with untapped franchise potential, GamesRadar US, April 30, 2009
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