Nargis Dutt Award for Best Feature Film on National Integration

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Nargis Dutt Award for Best Feature Film on National Integration
Type National
Category Indian Cinema
Instituted 1965
First awarded 1965
Last awarded 2013
Total awarded 43
Awarded by Directorate of Film Festivals
Cash award ₹50,000 (US$740)
Medal Rajat Kamal (Silver Lotus)
Previous name(s) Best Feature Film on National Unity and Emotional Integration
First awardee(s) Shaheed
Last awardee(s) Thalaimuraigal

The Nargis Dutt Award for Best Feature Film on National Integration is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organization set up by Ministry of Information and Broadcasting, India. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus).

The award was instituted in 1965, at 13th National Film Awards and awarded annually for films produced in the year across the country, in all Indian languages.

Winners

Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Following are the award winners over the years:

List of films, showing the year (award ceremony), language(s), producer(s), director(s) and citation
Year Film(s) Language(s) Producer(s) Director(s) Citation
1965
(13th)		 Shaheed [1] Hindi Kewal Kashyap S. Ram Sharma  –
1966
(14th)		 Subhash Chandra[2] Bengali A. K. Banerjee Piyush Bose  –
1967
(15th)		 No Award [3]
1968
(16th)		 Janmabhoomi [4] Malayalam Roopa Rekha John Sankaramangalam  –
1969
(17th)		 Saat Hindustani [5] Hindi Khwaja Ahmad Abbas Khwaja Ahmad Abbas  –
1970
(18th)		 Thurakkatha Vaathil [6] Malayalam A. Raghunath P. Bhaskaran  –
1971
(19th)		 Do Boond Pani Hindi  –  –  –
1972
(20th)		 Achanum Bappayum [7] Malayalam C. C. Baby K. S. Sethumadhavan  –
1973
(21st)		 Garm Hava dagger [8] Hindi Unit 3 MM M. S. Sathyu  –
1974
(22nd)		 Parinay dagger [9] Hindi Samantar Chitra Kantilal Rathod  –
1975
(23rd)		 No Award [10]
1976
(24th)		 No Award [11]
1977
(25th)		 No Award [11]
1978
(26th)		 Grahana [12] Kannada Harsha Pictures T. S. Nagabharana <templatestyles src="Template:Hidden begin/styles.css"/>
For an honest and bold depiction of caste conflict in rural India. The film starkly brings out the traditional beliefs which grip the entire rural society including the down-trodden putting an extra chain on the poor in addition to their economic helplessness. Cinematically a very powerful film.
1979
(27th)		 22 June 1897 Marathi  –  –  –
1980
(28th)		 Bhavni Bhavai [13] Gujarati Sanchar Film Cooperative Society Ltd. Ketan Mehta <templatestyles src="Template:Hidden begin/styles.css"/>
For tracing the history of social evil of untouchability through popular folk drama form, for synthesizing diverse performing arts into socially relevant communication, for depicting the untouchable's fight for their rights.
1981
(29th)		 Saptapadi [14] Telugu Bheemavarapu Buchhireddy K. Vishwanath <templatestyles src="Template:Hidden begin/styles.css"/>
For focusing on the problems of the society whose orthodoxy inflicts grave injustice on the under-privileged, for the dilemma faced by a Brahmin disciplinarian in confronting his grand-daughter's love for Harijan, for resolving the problem in a rational manner, worthy of the country's best secular traditions.
1982
(30th)		 Aaroodam [15] Malayalam Rosamma George I. V. Sasi <templatestyles src="Template:Hidden begin/styles.css"/>
For its compassionate treatment of the plight of the under-privilaged.
1983
(31st)		 Sookha [2] Hindi M. S. Sathyu M. S. Sathyu <templatestyles src="Template:Hidden begin/styles.css"/>
For its sincerity in the portrayal of basic human values that unify mankind.
1984
(32nd)		 Aadmi Aur Aurat [16] Hindi Doordarshan Tapan Sinha  –
1985
(33rd)		 Sree Narayana Guru [17] Malayalam A. Jaffer P. A. Backer <templatestyles src="Template:Hidden begin/styles.css"/>
For preaching, through the life of a great reformer, the universal values of "One Caste, One Religion and One God for Man".
1986
(34th)		 No Award [18]
1987
(35th)		 Tamas [19] Hindi Blaze Entertainment Govind Nihalani <templatestyles src="Template:Hidden begin/styles.css"/>
For recreating without compromise the tragic events leading to the communal holocaust at the eve of partition in a Punjab village.
1988
(36th)		 Rudraveena [20] Telugu Nagendra Babu K. Balachander <templatestyles src="Template:Hidden begin/styles.css"/>
For presenting vertical as well as horiontal social integration on a musical plane and thus offering a cultural revolution as solution to maladies of the rural population.
1989
(37th)		 Santha Shishunala Sharifa [21] Kannada Yajaman Enterprises T. S. Nagabharana <templatestyles src="Template:Hidden begin/styles.css"/>
For its depiction of unity of religions at the popular mystical level illustrated by the life and lyrics of a famous Muslim saint who has a Hindu guru.
1990
(38th)		 No Award [22]
1991
(39th)		 Aadi Mimansa [23] Oriya Apurba Kishore Bir Apurba Kishore Bir <templatestyles src="Template:Hidden begin/styles.css"/>
For its strong appeal for integration and upholding of human values brought about through a remarkbly understated treatment of incidents from everyday life.
1992
(40th)		 Roja [24] Tamil Kavithalayaa Productions Mani Ratnam <templatestyles src="Template:Hidden begin/styles.css"/>
For presenting a thrilling drama of the abduction of an Indian scientist by a self-proclaimed liberation army which later realises the futility of its anti-social activities.
1993
(41st)		 Sardar (film) [25] Hindi Late H. M. Patel Ketan Mehta <templatestyles src="Template:Hidden begin/styles.css"/>
For presenting a panoramic view of India in a period of transition to reveal the goals of nationalism by the integration of a mass disparate materials and shaping them into a coherent saga of Indian nationalism in an epic style.
1994
(42nd)		 Mukta [26] Marathi Ashok B. Mhatre Jabbar Patel <templatestyles src="Template:Hidden begin/styles.css"/>
For mapping a sharply defined dramatic style on to a canvas of national caste oppression and for unversalising the alliances of the Indian Dalit people.
1995
(43rd)		 Bombay [27] Tamil  • Mani Ratnam
 • S. Sriram		 Mani Ratnam <templatestyles src="Template:Hidden begin/styles.css"/>
For its bold and sensitive approach to the problem of communal divide and for bringing out the futility of the carnage in the name of religion.
1996
(44th)		 Kanakkinavu [28] Malayalam P. V. Gangadharan Sibi Malayil <templatestyles src="Template:Hidden begin/styles.css"/>
For its brilliant and bold approach to National Integration and the futility of division in the name of religion.
1997
(45th)		 Border [29] Hindi J. P. Dutta J. P. Dutta <templatestyles src="Template:Hidden begin/styles.css"/>
For making an honest statement on patriotism, portraying the gallantry and sacrifies of the Armed forces, thereby instilling a sense of National pride.
1998
(46th)		 Zakhm [30] Hindi Pooja Bhatt Mahesh Bhatt <templatestyles src="Template:Hidden begin/styles.css"/>
For boldly dealing with social and religious strife, communal tensions, violence and disharmony in contemporary times. The film has a message of love and peace that is conveyed in a sensitive way.
1999
(47th)		 Shaheed Udham Singh [31] Punjabi Iqbal Dhillon Chitraarth <templatestyles src="Template:Hidden begin/styles.css"/>
For opening a new window to the Jallianwala Bagh episode, which had jolted the conscience of the Indian people.
2000
(48th)		 Pukar [32] Hindi Surinder Kapoor Rajkumar Santoshi <templatestyles src="Template:Hidden begin/styles.css"/>
For tackling the problem of terrorist infiltrations and the army's counter attacks. And situations where armed and civilian forces unite against the common external enemy.
2001
(49th)		 Bub [33] Kashmiri NFDC Jyoti Sarup <templatestyles src="Template:Hidden begin/styles.css"/>
For exploring the problems of a minority in the face of terrorist activities of forces across the border. Against this macro scenario, the film weaves together more intimate micro stories particularly of the bonding between a sensitive bureaucrat and an orphaned boy.
2002
(50th)		 Mr. and Mrs. Iyer [34] English N. Venkatesan Aparna Sen <templatestyles src="Template:Hidden begin/styles.css"/>
For its humane depiction of the bonding between two individuals of different religious backgrounds in the midst of communal tension.
2003
(51st)		 Pinjar [35] Hindi Lucky Star Entertainment Ltd Chandraprakash Dwivedi <templatestyles src="Template:Hidden begin/styles.css"/>
For exploring the power of human relationships in overcoming social and religious schisms.
2004
(52nd)		 Netaji Subhas Chandra Bose: The Forgotten Hero [36] Hindi Sahara India Media Communication Ltd. Shyam Benegal <templatestyles src="Template:Hidden begin/styles.css"/>
Netaji is one of the most controversial and colourful figures of modern Indian history. His struggle to fight the Britishers and bring the Indians together to do this. The idealistic dreamer turns into a revolutionary to achieve his goal. The film effectively brings alive the era.
2005
(53rd)		 Daivanamathil [37] Malayalam Aryadan Shaukath Jayaraj <templatestyles src="Template:Hidden begin/styles.css"/>
For the powerful representation of a burning communal issue highlighting the plight of women in the times of religious intolerence.
2006
(54th)		 Kallarali Hoovagi [38] Kannada S. Madhu Bangarappa T. S. Nagabharana <templatestyles src="Template:Hidden begin/styles.css"/>
For depicting the sanctity of loyalty to one's land and amity through a love story set in the times of Hyder Ali.
2007
(55th)		 Dharm [39] Hindi Sheetal V. Talwar Bhavna Talwar <templatestyles src="Template:Hidden begin/styles.css"/>
For powerfully bringing forth the message that humanity is of much greater value than religion. The transformation of an orthodox and superstitious priest is very beautifully depicted.
2008
(56th)		 Aai Kot Nai [40] Assamese Rajen Bora Manju Borah <templatestyles src="Template:Hidden begin/styles.css"/>
For its honest look at a burning problem in Northeast India, its attempt to break down artificial boundaries and giving it a human and aesthetic appeal.
2009
(57th)		 Delhi-6 [41] Hindi Rakeysh Omprakash Mehra Rakeysh Omprakash Mehra <templatestyles src="Template:Hidden begin/styles.css"/>
For its uncompromising stance towards communal divide and offering a humanistic solution of taking individual responsibility.
2010
(58th)		 Moner Manush [42] Bengali Gautam Kundu Gautam Ghose <templatestyles src="Template:Hidden begin/styles.css"/>
For celebrating the union of the human spirit through the life and song of Sufi poets in the Baul tradition.
2011
(59th)		 No Award [43]
2012
(60th)		 Thanichalla Njan [44] Malayalam Cherian Philippose Babu Thiruvalla <templatestyles src="Template:Hidden begin/styles.css"/>
A tale of communal harmony narrated through an in-house milieu. The bonding between a Hindu and a Muslim lady in a reciprocally accommodating relationship forms the crux of the film.
2013
(61st)		 Thalaimuraigal[45] Tamil Company Productions Balu Mahendra <templatestyles src="Template:Hidden begin/styles.css"/>
A sensitive tale about the breaking of walls of orthodoxy and religious and linguistic bias in a small village in Tamil Nadu. Love and compassion of a small boy and his mother wins over not only their own blood but the whole rural community.
dagger Leading actor and Leading actress were awarded with Medallion

References

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