Maiden Voyage (composition)

From Infogalactic: the planetary knowledge core
Jump to: navigation, search
File:Maiden Voyage Herbie Hancock opening vamp.png
"Maiden Voyage" opening vamp: Dsus chord in D Dorian,[1] or mixolydian.[2] Audio file "Maiden Voyage Herbie Hancock opening vamp.mid" not found

"Maiden Voyage" is a jazz composition by Herbie Hancock from his 1965 album Maiden Voyage. It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – with additional saxophonist George Coleman. It is one of Hancock's best-known compositions and has become a jazz standard.[3]

The piece was used in a Fabergé commercial and was originally listed on the album's master tape as "TV Jingle" until Hancock's sister came up with the new name.[4] In the liner notes for the Maiden Voyage album, Hancock states that the composition was an attempt to capture "the splendor of a sea-going vessel on its maiden voyage".

Structure

Opening chord: minor eleventh chord (Am9/D).[5] <phonos file="Minor eleventh chord Herbie Hancock Maiden Voyage.mid">Play</phonos>
File:Maiden Voyage rhythmic ostinato.png
Rhythmic ostinato, a transformation of the bossa nova rhythm.[6]

A modal jazz piece, the composition follows a 32-bar AABA form with only two chords in each section:[7]

Ami7/D   |   |   |   |   Cmi7/F    |   |   |
Ami7/D   |   |   |   |   Cmi7/F    |   |   |
Bbmi7/Eb |   |   |   |   C#mi9     |   |   |
Ami7/D   |   |   |   |   Cmi7/F    |   |   |   [5]

The chord voicings used by Hancock make extensive use of perfect fourths. Jazz.com's Ted Gioia describes the harmonic progression used as, "four suspended chords," [8] Jerry Coker describes the progression as "only sus. 4 chords,"[9] while The Real Book lists the chords as four minor seventh chords with the bass note a fifth below the root[10] which matches Hancock's description of the opening chord (right).[5] The Real Book also spells the fourth chord (mm.22-24) as A-7/D,[10] while Owens spells it Cmi13.[11] The pitches of Cmi9 (ninth chord) are C E G B D and the pitches of A-7/D enharmonically, and Cmi13 (thirteenth chord), are C G B D F (A).

Covers

Notes

  1. Herder, Ronald (1987). 1000 Keyboard Ideas, p.75. ISBN 978-0-943748-48-1.
  2. Coker, Jerry (1997). Jerry Coker's complete method for improvisation: for all instruments, p.64. ISBN 978-0-7692-1856-4.
  3. Lua error in package.lua at line 80: module 'strict' not found.
  4. Lua error in package.lua at line 80: module 'strict' not found.
  5. 5.0 5.1 5.2 Kernfeld, Barry (1997). What to Listen for in Jazz, p.68. ISBN 978-0-300-07259-4.
  6. Kernfeld, Barry (1997). What to Listen For in Jazz, p.23. ISBN 9780300072594.
  7. Lua error in package.lua at line 80: module 'strict' not found.
  8. Lua error in package.lua at line 80: module 'strict' not found.
  9. Coker, Jerry (1984). Jazz Keyboard for Pianists and Non-Pianists, p.46. ISBN 0-7692-3323-6.
  10. 10.0 10.1 Lua error in package.lua at line 80: module 'strict' not found.
  11. Owens, Thomas (1996). Bebop: The Music and Its Players, p.164. ISBN 9780195106510.