Kannagi (film)

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This article is about a 1942 Tamil movie Kannagi. For other uses, see Kannagi (disambiguation).
Kannagi
(Tamil: கண்ணகி)
220px
Directed by R. S. Mani, Somasundaram
Produced by Jupiter Films
Written by Ilangovan
Story by Ilango Adigal
Starring P. U. Chinnappa, P. Kannamba, N.S. Saroja, NS Krishnan
Music by S. V. Venkatraman
Release dates
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  • 22 August 1942 (1942-08-22)
[1]
Running time
 228 minutes[1]
Country India
Language Tamil

Kannagi (Tamil: கண்ணகி) is a Tamil epic film directed by R.S Mani based on the Greatest Tamil epic Silapadhigaaram released in 1942. This is the first Tamil film based on the epic Silapadhigaaram. A similar second movie named Poompuhar released later in 1964.

Directed by R.S Mani, music by S. V. Venkatraman and Lyrics by Udumalai Narayana Kavi

Plot

R.S. Mani directs this mythological fantasy based on the first century A.D. Tamil Jain saga Silapadhigaaram. The film centers on Kovalan (P.U. Chinnappa), who is married to the faithful Kannagi (P. Kannamba). Later, Kovalan falls for the beautiful, dissolute dancer Madhavi (N.S. Saroja), who leads him to ruin. Kannagi comes in at the last moment and saves him from almost certain debauchery. She also offers to sell her golden anklet to restore the household's depleted funds. Unfortunately, the artistry and value of the object leads the king of a neighboring land to accuse Kovalan of theft and sentence him to the chopping block. Once again, Kannagi comes in at the last moment and proves to the king and the queen that they are innocent, causing them both to die instantly. After razing Madhavi's native village to the ground, Kannagi ascends to heaven.

Cast

Production

Producers have chosen Elangovan to write the script after makers were impressed with his work in Ashokkumara (1941). The script was finalised after reading 16 scripts relating to same concept and picking some points from them. P. Kannamba was cast as the titular character and she was 31 years old during the film's shoot.[2] Thyagaraja bagavathar was considered for the role of Kovalan but makers felt that pair may look odd since Kannamba acted as his stepmother in Ashokkumar, finally Chinnappa who shot to fame with Aryamala was selected to play Kovalan. Chinnappa had apprehensions to act with Kannamba since she is talented and also taller than him however producers convinced him to do the role.[2] G. Subbalakshmi who was chosen for the role of Madhavi was removed due to misunderstanding and she was replaced by M. Saroja. The film was supposed to be shot at Coimbatore but later it was shot at Newton Studios. The dance sequences were choreographed by TR Raghunath who during the film's production fell in love with M. Saroja and married her.[3] The film was originally directed by Boman Irani however he was replaced by then 22-year-old RS Mani after producers were not impressed with the work of Irani.[4] The song "Maanamellam" was shot at Mahabalipuram.

Soundtrack

No. Title Lyrics Length
1. "Chandrodhayam"   Udumalai Narayana Kavi 03:07
2. "Pathiniye Unpole"   Udumalai Narayana Kavi 02:43

Release

The film ran over in 110 cities and more than 1 crore people had watched the film. CN Annadurai criticised the film in the magazine "Dravida Naadu".[4] Randor Guy wrote that film is "remembered for: Kannamba’s brilliant performance, a classic example of how dialogue should be delivered in cinema. Also for Chinnappa’s equally impressive performance, Saroja’s dance sequences and tuneful music".[3]

Legacy

The film's success enabled the producers M. Somasundaram and S. K. Mohideen to take Central Studios, Coimbatore on lease and launch several productions simultaneously. The film also gained popularity for its dialogues. Elangovan achieved stardom, thus laying the foundation for dialogue writers. Kannamba achieved star status with this film, being her third venture in Tamil.[3][4] Mohan V. Raman wrote she handled the literary and poetic Tamil without compromising on emotion, diction or cadence. Her performance in that film remains iconic.[5] The success of the film led Jupiter Somu to do a similar project Thanga Padhumai (1959) on the theme of "woman, who is chastity personified fighting a relentless battle to win her husband back".[6]

References

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Bibliography

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External links

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