Electric Circus (nightclub)

File:DayGlo1.jpg

Dayglo art inside The Electric Circus

This article is about a Manhattan nightclub. For other uses, please see Electric Circus (disambiguation)

The Electric Circus was a nightclub and discotheque located at 19-25 St. Marks Place between Second and Third Avenues in the East Village neighborhood of Manhattan, New York City, from 1967 to September 1971. The club was created by Jerry Brandt, Stanton J. Freeman and their partners and designed by Chermayeff & Geismar. With its invitation (from one of its press releases) to "play games, dress as you like, dance, sit, think, tune in and turn on," and its mix of light shows, music, circus performers and experimental theater, the Electric Circus embodied the wild and creative side of 1960s club culture.

Flame throwing jugglers and trapeze artists performed between musical sets, strobe lights flashed over a huge dance floor, and multiple projectors flashed images and footage from home movies. Seating was varied, with sofas provided. The Electric Circus became "New York's ultimate mixed-media pleasure dome, and its hallucinogenic light baths enthralled every sector of New York society." Its hedonistic atmosphere also influenced the later rise of disco culture and discotheques.

Experimental bands such as The Velvet Underground, jam bands such as The Grateful Dead and avant-garde composers such as minimalist Terry Riley and electronic music pioneer Morton Subotnick, played at the club. Other bands played there before they were famous, such as Raven and "Soft White Underbelly" before it became known as Blue Öyster Cult, the Allman Brothers Band, Sly & the Family Stone and The Chambers Brothers.

Early history

Arlington Hall, c.1892

The cavernous ballroom space with a balcony originally consisted of four buildings built in 1831 as townhouses. When the neighborhood gradually became the heart of Little Germany, with a population of German immigrant workers, #19 and 21 were purchased in 1870 by the Arlon Club, a German music society, for their clubhouse. The club moved, and a real estate developer bought 19, 21, and 23 between 1887–1888 and merged them into a ballroom and community hall called Arlington Hall, which hosted weddings, dances, political events and union meetings, among many other events. In 1914 a shootout between "Dopey" Benny Fein's Jewish gang and Jack Sirocco's Italian mob, an event that marked the beginning of the predominance of the Italian American gangsters over the Jewish American gangsters, took place in the hall. Arlington Hall also had some notable speakers including Police Commissioner Theodore Roosevelt (1895) and William Randolph Hearst (1905).

During the 1920s, the buildings were bought by the Polish National Home, which combined them with 25 St. Marks Place for use by Polish organizations and a Polish restaurant.

1960s: Warhol and The Velvet Underground

By the 1960s, the bohemianism and nightlife previously associated with New York's Greenwich Village was growing in what would later be called the East Village. The Polish National Home was turned into the Dom Restaurant – the name came from the Polish for "home", derived from Polski Dom Narodowy ("Polish National Home") – with Stanley Tolkin's "Stanley's Bar" – where The Fugs played in the mid-1960s – downstairs, slightly below street level. Jackie Cassen and Rudi Stern began leasing the ballroom on the floor above Stanley's Bar for their "Theater of Light" show.

Then in 1966 artist Andy Warhol and Paul Morrissey – who directed many of Warhol's films, and who became a sometime manager of the Velvet Underground – sublet the ballroom from Cassen and Stern, and turned the Dom into a nightclub. The Velvet Underground was the house band, and their performances under Andy Warhol's influence were accompanied by many light effects with the added touches of projected movies and projected photographs, all going on at the same time. The experience was called the "Exploding Plastic Inevitable."

New management and closing

Later in 1966 the club, under different management by Albert Grossman, was briefly called the Balloon Farm and in 1967 the lease was transferred to Brandt Freeman Int'l, Ltd. the General partner of The Electric Circus Company. Cat Mother & the All Night Newsboys was engaged as one of the first house bands under the new management.

By 1970 the "tune in, turn on" hippie culture was in decline. When a small bomb, reportedly planted by a member of the Black Panther Party exploded on the dance floor on March 22, 1970, injuring fifteen people, the negative publicity accelerated the decline of the club; it closed a year and a half later. According to an AP news story that appeared in the Toledo Blade on March 31, 1970, the Black Panther Party denied any connection to the student, Ishmael Brown, who reportedly planted the bomb. The AP story also stated, "Stan Freeman, President of the Electric Circus, denied that the discotheque had a dispute with the Black Panthers. 'We have benefits to raise money for the Panthers all the time,' he said. 'We have good relations with them.' Mr. Freeman stated he believed the explosion, which injured 17 persons, was an 'individual act' carried out by 'a man who wanted to show the world he could wreak havoc.'"

After the Electric Circus closed, the building no longer functioned as a club or space for regular public performances, but the building was not significantly physically altered until 2003 when a major renovation eliminated the ballroom and converted the building into upscale apartments and retail space.

In the 1980s the building was used as an Alcoholics Anonymous dry disco for a period.

Popular Culture

The Electric Circus is depicted in a scene of Mad Men season 6, episode 4 ("To Have and To Hold", set in early 1968), during which Joan Harris and her friend Kate go out on the town.

External links

• New York Times "Streetscapes" from November 18, 1998
• Hippies & New Frontier On 'Desolation Row' Village Voice article on the opening of the club by Jack Newfield July 6, 1967