Don't. Get. Out!

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Don't. Get. Out!
File:Steig. Nicht. Aus! (2018) Film Poster.jpg
Film Poster
Directed by Christian Alvart
Produced by
  • Christian Alvart
  • Siegfried Kamml
  • Timm Oberwelland
Written by <templatestyles src="Plainlist/styles.css"/>
  • Christian Avart (screenplay)
  • Alberto Marini (original screenplay)
Starring <templatestyles src="Plainlist/styles.css"/>
Music by Christoph Schauer
Cinematography Christoph Krauss
Edited by
  • Marc Hofmeister
  • Theo Strittmatter
Production
company
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Distributed by <templatestyles src="Plainlist/styles.css"/>
  • Constantin-Film (Austria)
  • NFP Marketing & Distribution (Germany)
Release dates
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  • 12 April 2018 (2018-04-12) (Germany)
Running time
 109 minutes
Country Germany
Language German
Budget €2,500,000 (estimated)

Don't. Get. Out! (German: Steig. Nicht. Aus!) is a 2018 German thriller film written, co-produced and directed by Christian Alvart. The film stars Wotan Wilke Möhring as a man who is contacted by a mysterious man demanding him to get an amount of money or he'll explode his car with him and his children inside. The movie is a remake of the Spanish thriller Retribution (2015).[1]

Plot

Karl Brendt, a middle-aged man, is taking his children to the school when he gets an anonymous call from someone claiming that there's a bomb under his car's seats. The caller threats to blow the bomb, killing him and his children, if Brendt does not get him a large sum of money.

Cast

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Production

Don't. Get. Out! is a remake of the Spanish thriller Retribution. The film was shot for about 7 weeks between March 22 and May 6, 2017, in Berlin.[2][3]

Release

Reception

Sascha Westphal from the film magazine "epd Film" gave Don't. Get. Out! four out of five stars and wrote praising its cinematography and pace.[1] Jaschar Marktanner writing for the website "film-rezensionen.de" praised Emily Kusche performance, but criticized the film's lack of consistency and originality.[4] Bianka Piringer from the web portal "Kino-Zeit" also criticized the film for its inconsistencies and stated that despite its promising beginning the movie sinks in the mediocrity at the end.[5]

References

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External links

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