Calligrafismo
From Infogalactic: the planetary knowledge core
Calligrafismo (En: caligraphism) is an Italian style of filmmaking in the first half of the 1940s.
Characteristics of the style
File:La bella addormentata 1942.jpg
A scene from La bella addormentata (1942)
In the 1940s the two most significant styles of the Italian movie scene were the telefoni bianchi (En: white telephones) and calligrafismo.
Calligrafismo is in a sharp contrast to telefoni bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity and deals mainly with contemporary literary material,[1] above all the pieces of Italian realism from authors like Corrado Alvaro, Ennio Flaiano, Emilio Cecchi, Francesco Pasinetti, Vitaliano Brancati, Mario Bonfantini and Umberto Barbaro.[2]
The most important directors and scriptwriters
File:Tragica notte fotoscena.jpg
Scene from Tragica notte (1942)
Directors
Scriptwriters
References
- ↑ Gian Piero Brunetta, "Cinema italiano dal sonoro a Salò", in Storia del cinema mondiale, Einaudi, Torino, 2000, volume III, pp. 357-359. ISBN 88-06-14528-2
- ↑ Andrea Martini, La bella forma. Poggioli, i calligrafici e dintorni, Marsilio, Venezia, 1992. ISBN 88-317-5774-1
Sources
- Roberto Campari, Il fantasma del bello. Iconologia del cinema italiano, Marsilio, Venezia, 1994. ISBN 88-317-5898-5
- ISBN 88-317-5774-1
- Lontani dalla gloria (Narrativa) (Italian Edition)
- After Neorealism: Italian Filmmakers and Their Films; Essays and Interviews
