Anna Fleischle
| Anna Fleischle | |
|---|---|
| Born | 1971[1] Munich[1] |
| Education | Central Saint Martins[1] |
| Occupation | Set and costume design |
Anna Fleischle is a theatre designer who has worked in Theatre, Dance and Opera.
In 2007 Fleischle designed Love and Money at the new Maria, Young Vic, which was nominated for an Olivier Award for outstanding achievement in an affiliate theatre.[2][3][4]
She designed the world tour and National Theatre, DV8 production Can We Talk About This?,[5] which won the 2012 Helpmann Award for Best Ballet or Dance Work[2] and was Tanz magazine's "production of the year".[6] She worked again with Lloyd Newson on DV8's next work, John, in 2015[7]
Fleischle designed productions of Michael Tippett's opera King Priam and Britten's operetta Paul Bunyan for the English Touring Opera, which together won the Laurence Olivier Award for Outstanding Achievement in Opera in 2014.[2][8]
Her 2015 design for Hangmen by Martin McDonagh won Best Design at the Evening Standard Theatre Awards,[9][10] Best Designer at the Critics' Circle Theatre Awards.[11] and the 2016 Olivier award for best set design.[12] In December the same year she designed the set for Complicite's production of Beware of Pity by Stefan Zweig at the Schaubühne in Berlin.[13][14]
In 2016 she designed[15] Matthew Perry's debut play The End of Longing.[16]
References
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<references />, or <references group="..." />- ↑ 1.0 1.1 1.2 Matt Trueman for The Stage. Feb 19, 2016 Anna Fleischle: ‘A good design can be one you don’t notice’
- ↑ 2.0 2.1 2.2 Anna Fleischle. National Theatre. Accessed December 2015.
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- ↑ http://www.telegraph.co.uk/theatre/what-to-see/olivier-awards-2016-winners-in-full/
- ↑ http://www.schaubuehne.de/en/produktionen/ungeduld-desherzens.html/m=319
- ↑ http://www.complicite.org/productions/BewareOfPity
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