Abraham Bosse

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Abraham Bosse
Born c. 1604
Tours, France
Died Script error: The function "death_date_and_age" does not exist.
Paris
Occupation printmaker
File:Abraham Bosse, Engravers, 1642, NGA 34677.jpg
Engravers and etchers at work, 1643

Abraham Bosse (c. 1604 – 14 February 1676) was a French artist, mainly as a printmaker in etching, but also in watercolour.[1]

Life

Valet de Chambre from a series of etchings of trades, Les Metiers 1635

He was born to Huguenot (Calvinist) parents in Tours, France, where his father had moved from Germany. His father was a tailor, and Bosse's work always depicted clothes in loving detail. He married Catherine Sarrabat at Tours in 1632. He remained a Huguenot, dying before the Revocation of the Edict of Nantes, but was happy to illustrate religious subjects to Catholic taste.

Work

Roughly 1600 etchings are attributed to him, with subjects including: daily life, religion, literature, fashion, technology, and science.[1] Most of his output was illustrations for books, but many were also sold separately.

His style grows from Dutch and Flemish art, but is given a strongly French flavour. Many of his images give informative detail about middle and upper-class daily life in the period, although they must be treated with care as historical evidence. His combination of very carefully depicted grand interiors with relatively trivial domestic subjects was original and highly influential on French art, and also abroad — William Hogarth's engravings are, among other things, a parody of the style. Most of his images are perhaps best regarded as illustrations rather than art.

Watercolour of a ball by Abraham Bosse, a similar subject to many of his most famous etchings

He was apprenticed in Paris about 1620 to the Antwerp-born engraver Melchior Tavernier, who was also an important publisher. His first etchings date to 1622, and are influenced by Jacques Bellange. Following a meeting in Paris about 1630, he became a follower of Jacques Callot, whose technical innovations in etching he popularised in the famous and much translated Traité des manières de graver en taille-douce [Treatise on Line Engraving] (1645), the first to be published.[2] He took Callot's highly detailed small images to a larger size, and a wider range of subject matter.

Unlike Callot, his declared aim, in which he largely succeeded, was to make etchings look like engravings, to which end he sacrificed willingly the freedom of the etched line, whilst certainly exploiting to the full the speed of the technique. Like most etchers, he frequently used engraving on a plate in addition to etching, but produced no pure engravings.

Controversy

In 1641, he began to attend classes given by the architect Girard Desargues (1591–1661) on perspective and other technical aspects of depiction. Bosse not only adopted these methods but also published a series of works between 1643–1653 explaining and promoting them.[3]

In 1648, Cardinal Mazarin established the Académie Royale de Peinture et de Sculpture. Bosse was made an honorary member in 1651.[4] However his publicising of Desargues' methods embroiled him in a controversy with Charles Le Brun and his followers, who had different methods, and also a belief that "genius" rather than technical method should be the guide in creating artworks. In 1661 Bosse was forced to withdraw from the Academy; he established his own school as an alternative, but it was suppressed by Le Brun.[4]

Major works

Etchings & Images

Frontispiece for Hobbes' Leviathan

Later Collections

  • Die Kunst, in Kupfer zu stechen, Ilmer, Osnabrück 1975 (Repr. d. Ausg. Nürnberg 1765)
  • Radier-Büchlein. Handelt von der Etzkunst, nemlich wie man mit Scheidwasser in Kupfer etzen, das Wasser und wie auch den harten und weichen Etzgrund machen solle, Moos, München 1977, ISBN 3-7879-0088-8 (Repr. d. Ausg. Nürnberg 1689)

Gallery

  • Abraham Bosse, The Shoemakers, NGA 41326.jpg

    The Shoemakers, etching (National Gallery of Art)

  • Abraham Bosse, The Valet, NGA 73545.jpg

    The Valet, engraving in black on laid paper, 29 x 20.4 cm (11 7/16 x 8 1/16 in.), (National Gallery of Art)

  • Abraham Bosse, Adolescence, 1636, NGA 5255.jpg

    Adolescence, 1636, engraving and etching (National Gallery of Art)

  • Abraham Bosse, Manhood, 1636, NGA 5253.jpg

    Manhood, 1636, engraving and etching (National Gallery of Art)

  • Abraham Bosse, Engravers, 1642, NGA 34677.jpg

    Engravers, 1642, etching (National Gallery of Art)

  • Abraham Bosse, Childhood, 1636, NGA 5256.jpg

    Childhood, 1636, engraving and etching (National Gallery of Art)

  • Abraham Bosse, Death, 1636, NGA 5254.jpg

    Death, 1636, engraving and etching (National Gallery of Art)

  • Abraham Bosse, Odoratus, L'Ordorat, NGA 73544.jpg

    Odoratus, L'Ordorat, engraving in black on laid paper, 24 x 32 cm (9 7/16 x 12 5/8 in.) (National Gallery of Art)

  • Abraham Bosse, Louis XIII as Hercules, NGA 55106.jpg

    Louis XIII as Hercules, engraving and etching (National Gallery of Art)

  • Abraham Bosse, Michel Larcher, 1647, NGA 42813.jpg

    Michel Larcher, 1647, engraving (National Gallery of Art)

  • Abraham Bosse, Gentry Visiting a Prison, NGA 53276.jpg

    Gentry Visiting a Prison, engraving with etching, 25.4 x 32.2 cm (10 x 12 11/16 in.) (National Gallery of Art)

  • Abraham Bosse, The Wise Virgins at Prayer, NGA 128374.jpg

    The Wise Virgins at Prayer, etching on laid paper, plate: 26 x 33 cm (10 1/4 x 13 in.) (National Gallery of Art)

  • Abraham Bosse, The Foolish Virgins Sleeping, NGA 128378.jpg

    The Foolish Virgins Sleeping, etching on laid paper, plate: 25.4 x 32 cm (10 x 12 5/8 in.) sheet: 29.2 x 36.2 cm (11 1/2 x 14 1/4 in.) (National Gallery of Art)

  • Abraham Bosse, The Prodigal Son as a Swineherd, NGA 61183.jpg

    The Prodigal Son as a Swineherd, engraving (National Gallery of Art)

  • Abraham Bosse, Le noble peintre, 1642, NGA 140361.jpg

    Le Noble Peintre, 1642, etching on laid paper, plate: 9 7/8 x 12 11/16 in. (25.1 x 32.2 cm), sheet: 26.4 x 33.3 cm (10 3/8 x 13 1/8 in.) (National Gallery of Art)

  • Abraham Bosse, Frontispiece for Callot's "The Penitents", NGA 36869.jpg

    Frontispiece for Callot's "The Penitents", etching and engraving (National Gallery of Art)

  • Abraham Bosse, The Wise Virgins before the Fire, NGA 128375.jpg

    The Wise Virgins before the Fire, etching on laid paper, plate: 26 x 33 cm (10 1/4 x 13 in.) (National Gallery of Art)

  • Abraham Bosse, A Sculptor in His Atelier, 1642, NGA 121537.jpg

    A Sculptor in His Atelier, 1642, etching, plate: 25.8 x 32.5 cm (10 3/16 x 12 13/16 in.) (National Gallery of Art)

Notes

  1. ↑ 1.0 1.1 Maxime Préaud, "Célébrations nationales 2004, Arts: Abraham Bosse, graveur en taille-douce et théoricien de l’art français", 2004. Based on recent research, his date of birth has been corrected to 1604 from the traditionally given birth year of 1602. Bosse's apprenticeship contract was found in which it is mentioned that he was aged 16 at the date of signing the contract (16 June 1620).
  2. ↑ Harrison 1996, p. 468. See Commons:Category:Manual of Etching by Abraham Bosse.
  3. ↑ Harrison 1996.
  4. ↑ 4.0 4.1 Benezit 2006.
  5. ↑ Lua error in package.lua at line 80: module 'strict' not found.

Bibliography

External links

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