The Monster of Piedras Blancas

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The Monster of Piedras Blancas
File:Monsterofpiedrasblanas.jpg
Theatrical release poster
for the film's double-feature release
with Okefenokee
Directed by Irvin Berwick
Produced by Jack Kevan
Written by Irvin Berwick
Starring Les Tremayne
Forrest Lewis
John Harmon
Pete Dunn
Jeanne Carmen
Cinematography Philip H. Lathrop
Edited by George A. Gittens
Production
company
Vanwick Productions
Distributed by Filmservice Distributors Corporation
Release dates
April 22, 1959 (US)
1961 (UK)
Running time
71 minutes
Country United States
Language English
Budget $29,000

The Monster of Piedras Blancas is a 1959 independently made black-and-white science fiction/horror film produced by Jack Kevan, and written and directed by Irvin Berwick.[1] It stars Jeanne Carmen, Les Tremayne, John Harmon, Don Sullivan, Forrest Lewis and Pete Dunn. The film was distributed by Filmservice Distributors Corporation.

The Monster of Piedras Blancas was influenced by The Creature from the Black Lagoon (1954). Producer by Jack Kevan, who had supervised the manufacture of the Gill-man suit at Universal-International, created the Piedras Blancas monster costume. Kevan employed several of his former Universal associates on the picture, including soundman Joe Lapis and prop master Eddie Keys.[2]

Plot

The setting is the sleepy lighthouse town of Piedras Blancas. Sturges (Harmon) is the lighthouse keeper of the town and is very superstitious and concerned for the safety of his teenage daughter, Lucy (Carmen). He leaves food for a sea monster who lives in a nearby cave. The locals disregard him at first, but they begin to take notice when the bodies of people killed by the monster are found on the beach. A local scientist identifies a scale found near one of the bodies as belonging to a "diplovertebron," a prehistoric amphibious reptile long presumed extinct.

Cast

  • Les Tremayne as Dr. Sam Jorgenson
  • Forrest Lewis as Constable George Matson
  • John Harmon as Sturges, the Lighthouse Keeper
  • Frank Arvidson as Kochek, the Storekeeper
  • Jeanne Carmen as Lucille Sturges
  • Don Sullivan as Fred
  • Pete Dunn as Eddie (The Monster)
  • Joseph La Cava as Mike
  • Wayne Berwick as Little Jimmy

Production

Both Berwick and Kevan toiled in unbilled obscurity as contract employees at Universal-International. Berwick had been an uncredited dialogue director at U-I and at Columbia prior to that, working with the likes of William Castle and Jack Arnold. Kevan in particular chafed under the stewardship of Bud Westmore, the head of the studio's makeup department,who seldom allowed employees like Kevan or sculptors Chris Mueller and Millicent Patrick to receive publicity. Berwick and Kevan formed Vanwick Productions and became independent producers. The Monster of Piedras Blancas, their first film, was designed as a takeoff on U-I's popular Creature from the Black Lagoon, whose iconic monster suit Kevan had helped create. For this film's fictional "diplovertebron", Kevan cut cost and labor time by using existing molds for the feet (cast from those of the Metaluna Mutant from This Island Earth) and the oversized hands (designed originally for The Mole People). Actor/stuntman Pete Dunn wore the green-hued monster suit in the film and did double-duty playing the bartender character. Parts of the rubber monster suit showed up years later in the TV show Flipper, in the episode "Flipper's Monster", which was directed by Ricou Browning, who had performed the Gill-man swimming scenes in Creature From the Black Lagoon.[citation needed]

Universal gave a great deal of unofficial cooperation to the production, since it was going through a period of budget problems. Vanwick received sweetheart deals for production vehicles and equipment, the studio's way of helping many of its laid-off technicians who found work on the independent film. The film's end budget was $29,000.[3]

Top-lined Sullivan would appear in a number of other genre films afterward, such as The Giant Gila Monster.[4] This was the only lead role of B-movie actress and pin-up model Carmen, best known as a trick-shot golf "expert". Character actor Lewis was primarily known for his radio work, as was Tremayne. Wayne Berwick, who played "Little Jimmy", was the son of director Irvin Berwick and the godson of prolific actor Harmon.[citation needed]

The film was shot entirely on location, but oddly enough, not at the real Point Piedras Blancas, which is north of San Simeon on the California coast. The lighthouse locations were shot at the Point Conception lighthouse near Lompoc, and the film's "town" was actually the seaside city of Cayucos, about 30 miles south of the real Piedras Blancas.[3]

Several scenes broke new ground for onscreen gore, such as the monster making a shock entrance carrying a bloody human head and a later shot of the same head with a crab crawling across the face. The film was released on a double bill with Okefenokee, a bayou melodrama.

Berwick and Kevan made several other B films, notably The Street Is My Beat, before Kevan left show business to start a cosmetics company. Berwick continued to direct and produce low-budget features into the 1980s.[citation needed], including the cult classic Microwave Massacre. In 2005 he co-directed the 1950s spoof The Naked Monster, which featured Carmen and Harmon in a lighthouse segment sending up the 1959 film. Tremayne also appeared in the spoof (albeit in a role patterned after his part in The War of the Worlds), and Berwick supplied an off-screen radio voice.[citation needed]

Reception

The film received mixed-to-negative reviews. Internet film reviewer James Rolfe stated, in his review of the 1982 film Q, that he hates The Monster of Piedras Blancas because the monster is never seen until the film's climax.[5] Leonard Maltin awarded the film 1 1/2 stars out of 4, calling the film "obvious and amateurish" and also criticizing its sluggish pacing.[6] Allmovie gave the film a positive review, calling it "a horror movie with a lot of familiar elements but just enough offbeat touches to keep viewers coming back for 50 years or more".[7] Dave Sindelar from Fantastic Movie Musings and Ramblings gave the film a mixed review, complimenting the film's gory effects, the music (which the director performed), and Sullivan and Tremayne's performances. However, he criticized the film's script, dialogue and monster design.[8]

See also

References

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External links