Ping Pong (1987 film)

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Ping Pong
File:Ping pong film poster.jpg
Theatrical release poster
Directed by Po-Chih Leong
Produced by Malcolm Craddock
Michael Guest[1]
Screenplay by Jerry Liu[1]
Starring <templatestyles src="Plainlist/styles.css"/>
Music by <templatestyles src="Plainlist/styles.css"/>
Cinematography Nicholas D. Knowland[1]
Edited by David Spiers[1]
Distributed by The Samuel Goldwyn Company[2]
Release dates
<templatestyles src="Plainlist/styles.css"/>
  • 17 July 1987 (1987-07-17)
Running time
95 minutes[2]
Country United Kingdom
Language English
Cantonese[2][3]

Ping Pong is a 1987 British comedy mystery film directed by Po-Chih Leong and starring David Yip, Lucy Sheen and Robert Lee. The film was produced by Picture Palace Films for Film Four International.[4] Sheen in her debut role plays Elaine Choi, a law clerk brought in to carry out the will of a prominent restaurateur.

Plot

In Chinatown, London, restaurateur Sam Wong dies in a telephone booth after making a call. Law clerk Elaine Choi is tasked with executing his will. After attending Mr. Wong's funeral, she reads the will to the family. Mr. Wong leaves one of his restaurants to his eldest son Mike on the condition that it be run as a traditional Chinese restaurant, and another to Jimmy Lee if he agrees to run the restaurant. To his wife Ah Ying, he leaves the family home and warehouse. He leaves £90,000 to be shared equally between his two sons and his daughter Cherry. The latter also receives the family store. For his friend Mr. Chen, he gives the family farm on the condition that he visits it weekly. The last recipient named Sarah Lee is unknown to the family and receives his vintage sports car if she learns to drive. The final condition of the will is that Mr. Wong is to be buried in his home village in China, but the Chinese embassy rules require that his body be accompanied by a family member, which initially all the family members refuse to do.

In order for the will to be valid, it needs to be signed by its recipients; Choi finds they are reluctant to do so for a variety of reasons. Mike, who runs a successful Italian restaurant, lives a very Anglicised life and wants to build a multiplex complex over his father's restaurant. Cherry and her husband are disappointed that they did not receive the family warehouse which they ran. Mr. Chen is an illegal immigrant who arrived with Mr. Wong in 1936; while Mr. Wong later gained citizenship, Mr. Chen has kept away from the authorities and has not left Chinatown for the last two decades. In her pursuit of getting the will signed by all parties, Choi acts as a go-between for the different family members.

Ah Ying eventually signs the will and agrees to accompany her husband's body back to China. This act prompts Cherry to sign the will. While trying to persuade Mike to sign, Choi falls in love with him. On the day that Mr. Wong's body is due to be sent to China, Mike finds his mother and agrees to accompany her. While waiting for Mike's return, Choi discovers that Sarah Lee was Mr. Wong's secret British mistress. Choi and Mike reunite at the family farm now owned by Mr. Chen who has left Chinatown. Mike gives Choi a gift from China of a traditional dress. Choi also discovers that the last phone call Mr. Wong made was to his brother in China informing him that his wife and Mike would soon be visiting the village.

Cast

  • David Yip as Mike Wong: Sam's eldest son who runs his own restaurant and is an Angliophile.[2][5]
  • Lucy Sheen as Elaine Choi: A young law clerk tasked with executing Sam Wong's will. She is of Chinese descent but has grown up in England.[2]
  • Robert Lee as Mr. Chen: An old friend of Sam Wong who he illegally immigrated with to England in 1936.[2][6]
  • Lam Fung as Ah Ying: Sam Wong's widow.[2][5]
  • Victor Kan as Siu Loong: Cherry Wong's husband.[1][5]
  • Barbara Yu Ling as Cherry Wong: Sam Wong's daughter.[2]
  • Ric Young as Alan Wong: Sam Wong's son who is married to an Englishwoman.[2]
  • Victoria Wicks as Maggie Wong: Alan Wong's wife.[1][2]
  • Stephen Kuk as Uncle Choi[1]
  • Rex Wei as Ah Chee[1]
  • Hi Ching as Jimmy Lee[1]
  • Won Hun Tse as Siu Loong's kid[1]
  • Chad Lee as Siu Loong's kid[1]
  • K. C. Leong as Sam Wong: A prominent restaurateur whose will is executed by Elaine Choi.[1][6]
  • David Lyon as Peter[1]
  • Karen Seacombe as Susie[1]
  • Nigel Fan as Mortician[1]
  • Jonathan Elsom as Probate Official[1]
  • Yee San Foo as Winnie[1]
  • Olivier Pierre as Mr. Orbach[1]
  • Ed Yeoh as Bouncer[1]
  • Lu San Wong as Bouncer[1]
  • Susan Leong as WPC Rainbird[1]
  • Clive Panto as Mike's School Friend[1]
  • Jonathan Docker-Drysdale as Mike's School Friend[1]
  • Nicholas Pritchard as Mike's School Friend[1]
  • Errol Shaker as West Indian Bouncer[1]
  • Juliet Hammond-Hill as Sarah Lee: Sam Wong's secret English mistress.[1][6]
  • Trevor Baxter as Priest in Church[1]
  • San Lee as Woman Warrior[1]
  • Alan Wong as Sam Wong, age 40[1]
  • Philip Yoon as Embassy Official[1]
  • Ryan Yap as Young Mike[1]
  • Pat Starr as American tourist[1]
  • Kate Harper as American tourist[1]
  • Manning Redwood as American tourist[1]
  • Bruce Boa as American tourist[1]
  • Romoso Bruni as Maitre d'[1]
  • Kim Rook Teoh as Chef[1]
  • Linda Datsun as Butch Blonde[1]
  • Stan Young as Doorman[1]
  • Vincent Wong as Chinese Gambler[1]
  • Diana Choy as Young Ah Ying[1]

Production

Ping Pong was the first film to be filmed in London's Chinatown.[7] It was also the first film directed in Britain by Leong who previously shot films in Hong Kong.[2] The idea for the film was created by Leong during the filming of his 1984 comedy Banana Cop.[8][9] The name of the film is derived from Elaine Choi's role in the film as a go-between in executing the will which she compares to a ping pong ball.[2][5][6] Lucy Sheen made her acting debut in this film.[5]

Release and reception

Ping Pong premiered at the Venice Film Festival.[7] The film released in the United States and Canada on 17 July 1987, where it made $67,421 at the box-office.[10] Kevin Thomas of the Los Angeles Times wrote that Sheen's performance was its "strongest asset". He described the film as a "quest for identity" for Anglo-Chinese torn between integrating with British culture and the fight in trying not to lose their cultural heritage.[5] Walter Goodman of The New York Times commented that although the film showed some promise "...mostly the movie was not funny or touching...".[2] Time Out praised the film's "engaging characters", "lively pace and quirky humour".[11]

References

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External links