The Hollywood Revue of 1929

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The Hollywood Revue of 1929
File:The Hollywood Revue of 1929 (film) poster.jpg
Theatrical release poster
Directed by Charles Reisner
Produced by Irving Thalberg
Harry Rapf
Written by Al Boasberg
Robert E. Hopkins
Joseph Farnham
Starring Conrad Nagel
Jack Benny
Joan Crawford
Marion Davies
John Gilbert
Norma Shearer
Anita Page
Marie Dressler
William Haines
Buster Keaton
Stan Laurel
Oliver Hardy
Gus Edwards
Music by Gus Edwards
Arthur Freed
("Singin' in the Rain")
Nacio Herb Brown
("Singin' in the Rain")
Cinematography John Arnold
Max Fabian
Irving G. Ries
John M. Nickolaus
Edited by William S. Gray
Cameron K. Wood
Distributed by Metro-Goldwyn-Mayer
Release dates
 June 20, 1929
(Los Angeles)[1]
Running time
 116 minutes
Country United States
Language English
Budget US$426,000[2]
Box office $1,561,000[3]

The Hollywood Revue of 1929 is an American Pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.

Production

Unlike M-G-M's imposing feature films, which always boasted strong story values, The Hollywood Revue of 1929 was a plotless parade of variety acts. Conrad Nagel, interviewed for the book The Real Tinsel, recalled, "Everybody thought Harry Rapf was crazy for making it."[4] Billed as an "All-Star Musical Extravaganza", the film includes performances by once and future stars, including Joan Crawford singing and dancing on stage. (She later remarked, "Revue was one of those let's-throw-everyone-on-the-lot-into-a musical things, but I did a good song-and-dance number.").[5] Other segments feature Lionel Barrymore, Marion Davies, Gus Edwards, John Gilbert, Buster Keaton, Marie Dressler, Anita Page, Norma Shearer, and the comedy team of Karl Dane and George K. Arthur.

Highlights of the film are a comedy routine starring Stan Laurel and Oliver Hardy as inept magicians, and a variety of musical performances. One of these is the debut of "Singin' in the Rain", performed initially by Cliff Edwards as "Ukelele Ike,'" and later performed at the end of the film by the entire cast. This latter all-star color sequence was a last-minute addition to the film, shot late at night on June 10, 1929, just ten days before the premiere at Grauman's Chinese Theatre. The only major M-G-M stars missing from the revue are Greta Garbo, Ramón Novarro, and Lon Chaney, Sr., although Chaney is referred to by name in one of the songs performed and Garbo is spoken of during one of the introductory dialogues. Only one sequence was cut from the film: three songs by The Brox Sisters, which was recycled into a short subject, Gems of MGM. Another sequence, a parody of the Albertina Rasch ballet's "pearl dance" by Marie Dressler, was planned but not shot (as the film's production records reveal). Instead, the number was replaced by one featuring Buster Keaton, though Dressler did pose for stills wearing a Lady Godiva wig.[citation needed]

The film is sometimes cited, as on the DVD release of the 1952 Singin' in the Rain, as the movie that led to the downfall of Gilbert's career. Gilbert, a popular silent film actor best known for his work opposite Garbo, possessed a pleasant tenor speaking voice which didn't always match his heroic, dashing screen image. In Hollywood Revue he plays the balcony scene from Romeo and Juliet with Norma Shearer, first straight, then for laughs with contemporary slang. It is possible, though, that the negative effect of the film on Gilbert's career has been overstated, since many contemporary reviews made no criticism of his performance. [6] His problems really began with the next two films he made, His Glorious Night (1929) and Redemption (1930).

Musical numbers

The circulating print of The Hollywood Revue of 1929 runs as follows:

Act I

Intermission

  • "Nobody But You", "Your Mother and Mine" and "I've Got a Feeling for You" by the orchestra

Act II

  • "The Pearl Ballet" sung by James Burrows, danced by Beth Laemmle and the Albertina Rasch ballet
  • "The Dance of the Sea", an "underwater" dance performed by Buster Keaton
  • "Lon Chaney's Gonna Get You If You Don't Watch Out" sung by Gus Edwards
  • "The Adagio Dance" with the Natova Company
  • "Romeo and Juliet" (in Technicolor) with John Gilbert and Norma Shearer, with Lionel Barrymore as director
  • "Singin' in the Rain" introduced by Cliff Edwards, with The Brox Sisters
  • "Charlie, Gus, and Ike" with Charles King, Gus Edwards, and Cliff Edwards
  • "Marie, Polly, and Bess" with Marie Dressler, Polly Moran, and Bessie Love
  • "Orange Blossom Time" (in two-strip Technicolor), sung by Charles King to Myrtle McLaughlin, danced by the Albertina Rasch Ballet Company
  • "Singin' in the Rain" (finale) (in two-strip Technicolor), sung by entire cast

Reception

The film, which was shot in 25 days with a budget of US$426,000, was popular with audiences and critics alike, especially in its initial big-city engagements. "Brimming over with good fun and catchy music", Mordaunt Hall of The New York Times wrote.[7] Variety called it "the top novelty film to be turned out to date....If the theater booths give it an even break, nothing can stop it."[8] Film Daily reported, "A smash and a wow. Smart revue with plenty of comedy beautifully dressed and a cast that is gilt-edged."[9] John Mosher of The New Yorker called it "the most extravagant and extensive musical comedy so far presented by the talking pictures, and is in itself a complete evening's entertainment."[10]

The film went on to make a profit of $1.1 million and was considered for the Academy Award for Best Picture (there were no official nominations at that point in Motion Picture Association of America history).[2] Producer Rapf tried to follow it up with another revue, The Hollywood Revue of 1930, which was changed during production to The March of Time, and finally abandoned. Musical numbers already shot for the film were edited into M-G-M short subjects of the early 1930s.

Preservation

The film survives intact with its original Technicolor sequences. It was released on laserdisc in the 1990s from MGM/UA Home Video, and on DVD in 2009 through the Warner Archive Collection.

See also

References

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External links

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